The Heart of Autumn

The cold wind moans, cracking the bones of the ash trees that edge the garden. I close the stiff latch on the gate and walk down the path, watching leaves dart to the ground to form inelegant splodges of yellow. Although the afternoon has barely begun, the sky is stained with darkness, clouds rolling in above the hedges of the bridleway at the far end of the adjoining field. I’m frozen for a moment as I spot a hare spring from a gap in the fence. Even though I recognise him as a resident of this patch of land, I don’t expect to see him in the eye of the storm, and my breath catches until my fingers nip.

He’s not the only tenant around here. Fiercely decorated male pheasants stalk for seeds and grain in the tall grasses that separate the agricultural land from the domestic. Their echoing cok-cok reverberates around the valley until a farm vehicle thunders by, and they screech through the tree-tops to escape the mechanical movements.

Autumn marks the end of the harvest, but the start of the farming year. It is the season of great flux, of colours, temperatures and daylight hours; perhaps the most obvious change, though, is that of the trees. Find out more about how these natural wonders communicate, explore their importance in wild education and discover how they inspire creativity in the latest issue of the magazine.

You’ll find other roots in this issue too: those of friendship, of landscape and connection and of home. Don’t miss an exploration of how we can reconnect with our roots too, or go back in time to discover the history and mystery of a Cumbrian icon.

I hope you enjoy the season ahead.

This is an extract from the editor’s note for issue 5. To buy a copy of the magazine, visit our online shop (please note orders placed from now until October 8th will not be posted until Tuesday 9th).

AutumnEleanor Cheetham
H is for Hawthorn
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A lane which winds, narrow, flanked by hedgerows. The incline steep at first, an old brewery tops the hill. Another twist, a field comes into view. Carried across the wind the sound of livestock, calling. The road levels out and opens up. Turn left or right at the fork. Onward to the top road, where brambles tangled tight with hawthorn line the stream, a gully trapping precious jewelled fruit between water and eager hands. Out of reach, until a branch is found, turned at one end. The perfect tool. Grasping now, he holds my belt while I stretch. A little further, my toe dips into the water. One sharp tug and the branch is freed. Scarlet berries hang over my head, tantalising, asking to be picked. I fill my basket. Hawthorns nestle with blackberries and sloes, nettle leaves for soothing tea and elderberries to pair with tart apples from the walled garden. Life is good now. A simple thing, a piece of fruit picked by a cold hand. Tossed into a woven basket and carried thus, to be splashed and sorted, cooled or pressed, warmed then sieved. These actions once alien are now natural. But time is passing. Nights draw in and occasions for collecting grow slim. A freezer drawer sits crammed with packages marked cooked, jam, gin, crumble. Until next year, when the sun shines long and rain feeds the hedgerows. I’ll see you then in the lane, basket in hand.

AutumnSarah Davy
Dwelling in the Suburbs of the Countryside
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People feel a pull towards the countryside for all manner of reasons. Perhaps the countryside is the farm you grew up on, surrounded by rippling hills and a sky that can never make up its mind. Perhaps it’s the city worker in London who leaves the office an hour early on Fridays, catching a train to the New Forest and popping a tent in the overhead luggage rack. For many, and I would go as far to say the majority, a love of the countryside dances between these two extremes; those who live in what was once a village and is now a sprawling estate filled with photocopied houses. If you live in one of these places, you’ll see a secondary school that you avoid driving past when the bell goes and the road is full of buses and saloon cars. The corner shop will only let them in two at a time and the post office will open after you’ve left for work and shuts before you manage to get back. You’ll spot the same elderly man in a neat tie and jacket walking to get his one pint of milk and half dozen eggs twice a week – at exactly the same time – and you’ll always make sure to smile when he catches your eye. The village hall will run a weight loss club on Tuesdays and Thursdays and the morris dancers will begin to filter in, bells jingling, before the closing motivational speech has finished. These are the suburbs on the outskirts of towns and cities. No, they don’t have chocolate box cottages and the postman doesn’t want to stop for a chat, but they are where so many of us live.

I have always been part of this latter camp, and yet the outdoors has nagged at me to pay attention to it for as long as I can remember. Especially now, as an adult, my walking boots are taken out of the airing cupboard if I anticipate a few empty evening hours or spot a spare weekend on the horizon.  Sometimes, it isn’t as easy to immerse yourself in the countryside when it’s practically difficult to get out to. When you live in the grey area between city and country, it’s easy to feel detached from both places. I’m definitely no expert, and there have been weeks that have gone by where the nearest I’ve gotten to the countryside is Matt Baker discussing the migratory habits of fenland birds on Countryfile. That being said, there are some rituals and routines that I do genuinely try and include to re-centre myself with the outdoors, especially in the weeks that see summer transition into autumn.

When there is less of a guarantee that you’ll be able to set up camp beside a river for a long, light filled day, you sometimes have to be a little more creative to maintain a routine that naturally aligns itself with nature’s constant shifting.

A Decent Waterproof

A decent waterproof doesn’t necessarily mean a new waterproof, or an expensive one. A borrowed jacket that keeps off the worst of a blustery, drizzly day means that weather isn’t an excuse for not popping out or taking that weekend hike even when the weather app is full of dark grey clouds. To my shame, I resisted wearing a proper raincoat for years because it was bright and garish (and didn’t look nice in photos – I know – an awful reason!) I’ve since realised that walking in the rain is one of the best things about autumn wandering. Strangely, when hair sticks to your forehead and the smell of petrichor gets kicked up from the earth, it feels so unbelievably calming.

Leave Your Walking Boots in the Car

Of course, if they’re still soggy from your last jaunt, you may want to dry them out first! Finding that the sun breaks beautifully on your drive home from work in late September, and remembering that you’ve got your boots with you, could be the thing that tips your driving wheel into the direction of the moors before you head home to make dinner.

Make an Autumnal Picnic

There are so many recipes that come into play when September and October come around. Butternut squash, pecans, sage, sausages, pastry, pie, apple… Think of what you’d most like to eat for lunch or dinner and find a way to adapt it into picnic food. This could just mean going ahead and making dinner as normal to wrap up in foil and eat out in the open; an impatient dog sat at your feet glancing from person to person in the hopes of catching some crumbs. Butternut squash risotto could become arancini balls that easily travel in a hiking bag!

Take a Camera Out

It’s so easy to look back on a year and see one, clear image that symbolises each season. A snow drift against a dry-stone wall for winter; cherry blossom in bloom for spring; parched grass swaying in the breeze for summer… But there are so many tiny changes taking place every day – even if the warmth tricks you into thinking that summer is lasting longer than usual. You’ll see it in hazelnuts, acorns and eventually conkers that drop onto the path. Toadstools might have appeared overnight on the lawn – in a fairy circle if you’re lucky. Heather bursts into bloom like fireworks, amethyst coloured and undulating across heaths and dunes.

When you have a low week and want to live in a blanket nest, or when life gets busy and boisterous, it’s strange that we often cut out the things that do us the most good. That can look different for so many different people, but if your soul sings in line with a countryside that isn’t immediately on your doorstep, you sometimes have to meet it halfway. That being said, the transition into autumn can see nature coming to you instead: scuttling spiders with voluptuous bellies may crawl under the door to say hello. You never know, it could just be mother nature beckoning you to join her outdoors!

By Abigail Mann

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A Sonnet for September
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Last week, a question in the Creative Countryside Community piqued my interest, not solely as a stimulating inquiry in its own right, but because it was a question my brother had posed in our siblings’ WhatsApp group only hours before:

‘Do you acknowledge the start of autumn on September 1st (meteorological) or the autumn equinox (astronomical date (21st / 22nd))?’

As I started to think through my own answer and reasons, the thought process inevitably turned to a love letter to September, and everything contained within this beautiful month of exhale, transition and metamorphosis.

It’s hard to pin any of the seasons down to a single day, to herald a definitive ‘arrival’, but for me, autumn is especially hard to do so.  I’ve experienced August days full to the brim with lashing rain, thick jumpers and cosy comfort food indoors.  Conversely, I’ve viewed the embers of September days attired in shorts and t-shirt, from the tops of Derbyshire moorland or Sussex Downland, with a day’s worth of hot sun glowing in the pinkness of sunburned skin.

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For me, autumn is a season that ebbs slowly in from the very edges of nature itself: it bleeds; it seeps slowly.  September is simultaneously late summer and early autumn.  These seasons rub shoulders confidently together – a natural friction, yet an unspoken harmony.  It’s a month of ratios, rather than a definitive start and ending.  And it’s that unpredictable and heady mix of magic that makes September so entrancing.

September is a month in which we’re suddenly jolted back into a state of alertness.  For too long, we’ve been drunk upon the overflowing cup of summer: the long hot days, warm nights, and seemingly ever-present light.  Now it’s the quickening dusk, almost tidal in its encroachment; the fleeting beauty of dying leaves that pulse all manner of yellows: just some of the markers that sharpen the senses.  

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The wilful abandon of taking summer for granted is ended with an enforced observance of sobriety: our eyes do the harvesting, as we eagerly stockpile the mental stores to satiate our wistful longings in the barren depths of winter.  Moments are magnified, appreciated; tended.

Harvesting is not limited to the eyes: the garden continues to take away with one hand and give with the other.  I spend a weekend dead-heading, de-potting and re-arranging, packing away a summer’s worth of organic detritus, whilst runner beans send forth new produce, pumpkins continue to swell, and tomatoes redden upon the vine.

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I don’t care what your argument: no-one can convince me that late summer’s transition into autumn isn’t one of this country’s most magnificent times of year.  But September is the magical moment in our natural calendar: a month of harmonious tension.

And where our seasons rub up against each other in a beautiful friction, the resultant sparks ignite a vision of truth that’s often hard to comprehend.

Viva September.

SummerCallum Saunders
How It Crumbles
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My planner, desktop and wall calendar are all now telling me that summer is now all but over, at least from an academic point of view. With just a few days left before the advent of new classes and fresh starts, the thoughts of all teachers around the country are very much tinged with an autumnal hue as the prospect of the new term looms, but the weather outside my study window has decided, for the time being at least, that summer is not quite done yet.

The days retain many of their hours of sunlight and, with them, their heat, and, although I’m not usually a fan of such warm weather, it does offer one big advantage: the blackberries will be ripened nicely now, “cobwebbed and dusty as a Claret/laid down for years in a cellar”, to appropriate a beautifully apt simile from Owen Sheers.

When I was a boy, I recall blackberry season being such a highlight of the year. Unlike the “milk cans, pea tins, jam-pots” with which Seamus Heaney remembered collecting them, I recall hordes of people descending upon the dockland a couple of streets from my mother’s house, filling up supermarket carrier bags, plastic ice-cream tubs and even coat pockets with their bounty.

Often, a number of generations of same families would turn up together, from adults right down to toddling grandchildren, chatting about goings-on within their families, births, deaths and a whole array of other gossip as juicy as the fruit they were gathering. And of course, the same families would turn up year after year, standing shoulder-to-shoulder, picking and talking, picking and talking long into the summer evenings.

Of course, time and age have plucked their share, as have the consumerist leanings of modern society, gradually widening the gaps between those sets of shoulders until now, barely anyone turns up to pick the blackberries aside from the birds, and the majority of the fruit spoils and wastes for another year.

I am one of those faces that no longer harvests those fruits, mainly because I live a couple of miles further inland and now have my own blackberry-picking spot. Way up, on the high path of the hills behind my home, where few people ever bother to venture, a thick stand of blackberry bushes offers me more fruit than I could ever need , and every year I spend a little time gathering it for my fruit salads and occasional baking, though whenever I’ve been picking, I always feel that I come back home having found much more than a simple tubful of berries.

A habit worth forming is a habit worth passing on to your children, and so I began taking my daughter up to the slopes for these forays. She had her own little tub, a little pair of gardening gloves to protect her hands from thorns, and so she too became part of the late-summer ritual, looking forward to the event that it had become, developing that same annual “lust for picking” shared by countless millions through the years.

Time has now stolen this from me too. It was only a matter of time I suppose: having started secondary school last September, Elle is now far more interested in new friends and her new phone than in picking up old habits with her old man.

So here I am, climbing the slope alone this year, carrying only my tub and a tatty old pair of gardening gloves that I’ve been meaning to replace for more years than I can remember. Still, I reckon she’ll show a little more interest later when those familiar smells of blackberry and apple crumble start wafting from the oven and swilling around the house like the last dregs of summer’s fine wine.

SummerSimon Smith
Creative in the Countryside: Izzi Rainey
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Today we're introducing you to IzziRainey, a small textile business based on a family farm in Norfolk.

 

Nicola: I’d love for you to start by telling us the story behind how Izzi Rainey started, and what it is you do?

Lara: Hi. IzziRainey is a small textile business based on Izzi’s family’s farm in Norfolk. We design and manufacture high quality homewares, stationary, kitchenwares and small accessory products. Izzi takes all of her inspiration for her designs from farm life and the Norfolk countryside. All of our products are made in the UK, and most are made by Izzi here on the farm!

Izzi and I have been friends since we were 13; just before we graduated, she mentioned that she wanted to start her own textile business back in Norfolk. I jumped at the chance to work alongside my best friend, and had always loved her designs, so in the summer of 2014, IzziRainey began! 

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Nicola: Can you tell us about the different roles you both have in the business and why you think you work so well together?

Lara: Izzi is the sole designer for the business, she does all the marketing and makes a majority of the products that we sell here on the farm- she is the genius behind it all!  

I am more in charge of the day to day running of the business; managing our customer and trade customers, planning our fairs, the money side of things and general everyday tasks.

 

Nicola: Can you share with us how growing up on a farm in Norfolk has inspired the work you do today?

Lara: Izzi has lived here on the farm all her life; she has been showing her Highland cattle since she was six and has always been involved in the day to day running of the farm. This has been such a huge influence in her life and subsequently in her designs - all are inspired by her family’s farm, the surrounding Norfolk countryside and other local farmers' livestock. The farm is still very much part of everyday life here at IzziRainey.

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Photo: Tom at Gnowangerup Cottage

Photo: Tom at Gnowangerup Cottage

Nicola: What do you love most about what you do?

Izzi: I love being able to combine my passion for design and for farming by being able to design prints that have been inspired by my family’s home and our idyllic surroundings here in Norfolk. By having our studio here it means I can still play a big role in the farm but also able to run IzziRainey too!

Lara: I love working with someone who is so creative, as I’m not. I find it so interesting seeing something start as a simple pencil drawing and end up as a finished product- it is always amazing seeing the journey of a product. I also love being able to work with my best friend- there are always lots of laughs!

 

Nicola: I’d love to know more about the process of how your work develops from initial idea to the final piece.

Lara: Izzi starts by collecting imagery and doing drawing of different ideas, these ideas are then translated into prints through a wealth of hand stamped techniques, which form the basis of all the fabric designs. These are then sent off to be digitally printed into lengths of fabric here in the UK. Even though the fabric is digitally printed it still retains the textural quality of Izzi’s original hand stamped prints. 

The fabric then returns to us to be made into the products that you see in the shops and online. Many of the fabric products are made here on the farm, however over the last few years we have begun to outsource some of the production too- just so we can keep up with it all! But everything is still made in the UK - British design and manufacturing is at the heart of our business.

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Nicola: Can you tell us more about where you live, your workspace, and what a typical day for you both is like?

Lara: We live in the heart of rural Norfolk, and our studio is based in a converted old dairy.  We are very much in the ‘farmyard’ with Monty the Highland Pony next door and chickens wandering around too. Our studio is a hub of activity - it is where all the designing happens, products get made, orders get packaged plus lots more. 

Day to day, Izzi arrives at the farm about 7 to feed and check on all her cattle before we both start in the studio. Izzi will generally be making products, designing new prints, getting inspiration from local farmers for new ideas and I will be sorting orders, finding new places for our products to be sold and generally making sure the quality of our service matches the high quality of our products! Days obviously vary dramatically as Izzi may be needed on the farm or we may be out and about at fairs or seeing shops- we take every day as it comes! 

 

Nicola: And lastly, if someone reading your story were inspired to follow their own creative dream, what advice would you give them?

Lara: Just go for it - if you feel that you want to give it a go then you should. It is an invaluable process to go through and full of fun too. All I will say is never be afraid to ask questions and make mistakes. We have spent the last four years trying to learn as much as possible through talking to people and asking lots of questions- you learn so much from other people who have done it all already!

 

Visit the website, or follow IzziRainey on Instagram, Twitter and Facebook.

 

CreativityNicola Judkins
The Summer's End
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The scorching sun with its record temperatures are but a memory now.  I daydream out of the kitchen window wondering how the sunflowers are still standing. Like beacons they loom, desperately clinging onto the summer that was.

I reluctantly drag the window shut as a sharp chill blasts through the curtains, doors slamming around the house as if protesting at the obvious seasonal transition outside that can no longer be ignored. The sudden chill makes all the hairs on my arm awaken, that well-known marker of coldness will now walk alongside the shortening days no doubt.

But I can’t stand still. Wellies, waterproofs and hound. No matter what the weather, escape.  

Late afternoon lights start to appear at windows as I walk through the village. The familiar waft of wood smoke, rotting apples and damp reminding me of many times gone by.  A half-light world is now awakening, one of hygge corners, comforting crackling fires and a general slowing.

I pass the grey war memorial; red flashes of geranium flowers being pelted by raindrops brings me back to my senses.  I look back realising how far I have wandered, lost in my own thoughts. Quite fitting as is this not the time to be taking stock and hunkering down for the months ahead?  Glancing around, I wonder where the flowers and colour have gone, I am sure they were here yesterday. Gardens, window boxes and hanging baskets as far as the eye can see, now spent, tired and bereft of energy, nothing but desiccated skeletons stare back.

Where did summer go?

I wander on through the old iron kissing gate to the horse field, the clunk of metal on metal somewhat satisfying, testifying I am here again. Carrots for the horses, blackberries for me – a fair trade. How laden the hedgerow is with hips, haws and berries, their red dots staccato the now emptying branches.  A sign of a harsher winter to come perhaps? Do the birds and animals know this I wonder, as the white squirrel disappears up a sycamore now fashioning mottled leaves with black spots.

All I see is brown.

A muddy shroud seems to be taking over.  

That moment of summer's end.

It is here.

By Lisa from Mistletoe Oak

SummerContributor
September's Song - Supporting our Emotions in Late Summer

The last days of summer can be bittersweet, even more so this year when the UK has seen one of the warmest, sunniest summers for decades. Whether you loved or loathed the heat wave, saying goodbye to the long, halcyon days of summer can often make us feel a little glum. September and the onset of autumn can challenge us with a shift in pace that we don’t always feel ready for. Perhaps it would make us feel better to press the pause button and let the warmth and abundance of summer linger a little longer?

Traditional Chinese Medicine (TCM) allows us some welcome reprieve here, outlining a slower transition from summer through to autumn.  The Five Element theory describes not four, but five, seasons in each year. The fifth season is upon us now and is known in TCM as Late Summer, starting towards the last two weeks of August and continuing right up until the Autumn Equinox in September. This is a transitional time for the earth, after a hectic and bountiful few months of growth, nature can, at last, put her feet up and take a well-earned rest. If we are to live in harmony with the seasons, this is a time for us to follow suit. To relax, sit back and take stock of what we have enjoyed and achieved over the spring and summer months!

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Keats wrote of autumn and famously conjured a season of mists and mellow fruitfulness. For me these words just as beautifully capture the essence of late summer. A time to be mellow, allow ourselves time to take a step back and appreciate the abundance of nature all around us. A time to nourish our body with the plentiful fresh produce summer provides and make the most of all we love about this season, before we push ahead into preparing for the colder months ahead. 


Even those of us long past school age can come face-to-face with those familiar back to school feelings when September rolls around. We may not be buying our new uniform and picking out pencil cases, but we probably all carry around the emotional imprint of that start of term feeling. If you notice an underlying feeling of anxiety and trepidation at this time of year, don’t worry, you are not alone. 

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From late August onwards, parents everywhere jump into organisation mode as they ready their children for the new school year. The retail industry steps up a gear in preparation for a busier shopping season ahead. Recruitment picks up pace across most industries and parliament reopens for business. The wider world around us picks up speed and all too soon summer can seem like a distant memory. 


We can’t all practically opt out of the faster pace this month inevitably brings, but we can work on altering our own outlook and allow ourselves the space to ease out of summer a little more gently. Here are four simple suggestions for connecting with and supporting your emotions at this time of year. 
 


Here are four simple suggestions for connecting with and supporting your emotions at this time of year:

  • Reflect – ‘This summer has flown by’ is such a common phrase at this time of year. Allow yourself permission to press pause and take some time to reflect on what you have enjoyed doing over the last few months. You might choose to look through and edit photos you have taken, make an online album or print the images you have captured over the summer. Perhaps sharing or giving them to the friends and family you have spent time with. If you write a diary or keep a journal, you might enjoy reading back through your entries over the summer months, taking some time to think about what moments made you happiest and why.

 

  • Relax - Carve out some dedicated time for relaxation. Do this in whatever way suits you, without feeling guilty for it! Light a favourite candle, buy some new bath oil and take an extra long soak. Start a new book and dive into that for a few hours. Spend time walking outdoors in nature while the weather remains warm and the evenings are light. Whatever your favoured relaxation practice is, use your chosen time intentionally. Feel good about allowing yourself this precious space to check in with yourself. Think of it as a little self-care ceremony and a time to acknowledge the seasonal shift.

 

  • Nourish - In TCM the late summer season corresponds with the Earth element. The spleen and stomach govern this season and in order to stay healthy, these organs need to be supported well with healthy and nourishing foods. Think about altering your diet to include more seasonal, fresh produce and give your digestive health the best support you can, in preparation for the winter months ahead.

 

  • Inhale - Essential oils provide us with a wonderful, natural toolkit for supporting our wellbeing throughout all the seasonal transitions. I have selected three oils which are well suited for late summer and below is a guide to making a simple blend for diffusing at home.


Late Summer Uplifting Blend

  • Patchouli Essential Oil (2 drops)

  • Lemon Essential Oil (2 drops)

  • Peppermint Essential Oil (2 drops)

Add two drops each of the above essential oils to a bowl of warm water or essential oil diffuser and breathe in.


Further resources:

Learn more about TCM and supporting your health in late summer:

TCM and seasonal living:

 


Laura McMahon is the owner and maker at The Smallest Light. From her Welsh home workshop, Laura uses her love and knowledge of aromatherapy to create natural soy wax candles with essential oil blends that are uniquely crafted to complement the changing seasons. Follow her on Facebook and Instagram.


SummerContributor
Creative in the Countryside: Snapdragon
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Today we're introducing you to Jane, the owner of freelance embroidery business, Snapdragon. Find out more about her journey from cut flowers to building a community.

 

Nicola: Tell us about Snapdragon and the journey you took to starting your own business?  

Jane: My first proper job was curator of British Art at the University of Glasgow – it was a fabulous job but I worked in a basement office and in the winter I rarely seemed to see any daylight.  I gradually got more and more unhappy there until I took the plunge, left and retrained in horticulture.

The thing that I wanted most by this point was to be outside, so I started a cut flower business and named it Snapdragon, because that was one of the few flowers that escaped the slugs that first year.  I grew garden flowers and sold them from a green van from my garden gate and at markets.

Growing flowers in Scotland turned out to be a barmy idea – the climate is cold and wet, giving a very short growing season and, when I had masses of flowers, my regular customers tended to be away on holiday.

In 2005 I was asked to put together a show stand at the Country Living Magazine Christmas Fair in Glasgow and that gave me the opportunity to pivot the business and move into sewing.  I had been making things to bring in an income during the months that there were no flowers, but this moved my freehand machine embroidery onto a different level and formed the basis of the business as it exists today.

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Nicola: I know your work is inspired by nature. Can you tell us why nature is so important to you, and how it influences the way you live and work?

Jane: Being in nature is absolutely at the centre of my life.  I have an auto immune disease which becomes worse with stress and I find that time outside in nature, noticing the seasonal changes, getting muddy, is the way that I can manage stress most easily.  My garden and the amazing scenery around us are also the inspiration for most of my designs and I am fascinated by the way forms and colours change week to week.

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Nicola: I’d love to know what has been the biggest challenge, and the best surprise in running your own business?

Jane: The biggest challenge for me has been staying true to my style.  Over a period of about 8 years I gradually lost track of what was unique about Snapdragon.  I had begun to respond to what sold, what shops wanted more of, what was commercial.  Each little step, each compromise, took me a little bit further away from the core of my creativity until I became very bored with what I was making.  About 18 months ago I decided to completely change the business and go back to my design roots, changing not only the products that we sell but also the way we sell them.  I started a membership where people support the business with a monthly fee of £10 and in return get all the perks of ‘having shares in a studio’ – they can buy at cost price, there are members freebies, they get first dibs on limited editions.  

The biggest surprise has been how changing the way we sell has transformed the feel of the business – this isn’t just with members, it has completely changed the way other people interact with me on social media too.  Going for radical transparency on pricing and behind the scenes decisions seems to have changed the way people see us.  I was very worried that it could be an incredibly stupid act of self sabotage.

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Nicola: I know you moved to the countryside about fifteen years ago and now live in Loch Lomond National Park.  Can you tell us more about your home, your workspace, and what a typical day for you looks like? 

Jane: We bought our home because of a small bluebell wood.  We spent hours in the wood, about 15 minutes in the house.  The house itself is a 1980s bungalow – nothing special; when we bought it, it was fully of tiny rooms and we knocked 5 of these together to create a big open plan living space and put in big windows to give lots of light.  I work in a wooden cabin built in a field behind the house, and in a vintage Airstream Caravan (which we are restoring).  I have a team of helpers who print, pack and dispatch orders, allowing me to concentrate on designing and writing.

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A typical day starts slowly – I am not a morning person.  I have coffee in bed and catch up on Instagram or read.  I start work at about 9 and tend to work until 4. Two days a week I am in the workshop, two days I am designing/writing and, ideally, I walk to the nearest village to work in a coffee shop once a week – this is a way of getting the things I procrastinate about actually done and the exercise is balanced by the cake. I switch the Internet off at 6pm and, though I may work after that, it is analogue things – designing, reading, journaling.  I have found that has made a big difference to my daily stress and also made me more productive.

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Nicola: When you aren’t working on Snapdragon, how do you enjoy spending your time?

Jane: Gardening and walking.  When I stopped growing flowers commercially I had a few years where I didn’t really garden much – I think I was a bit burned out.  Now though I am back spending hours in the garden, growing flowers and vegetables.  I have big plans.

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Nicola: And lastly, if someone reading your story were inspired to follow their own creative dream, what advice would you give them?

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Jane: Build a community of people who love your style.  This is the major advantage that the small creative business has now – there is the world of social media full of people who are interested in what you are doing.  

When I was starting out I wrote a blog, a terrible, ugly, embarrassing blog – but the people who read that 15 years ago still remembered me and, when I wanted to go back to the roots of the business last year, they were the people cheering me on.  Building that community was the best investment in the business I ever made.

 

Head over here to get Jane's free guide to getting the best from cut flowers, visit her website, or follow her progress on Instagram.

Entryway to Beauty

One of the things about having anxiety is that it’s easier to close the door on my heart when things get to be too much.  Being highly sensitive means that it does not take much for me to find things to be too much.  The thing that gives the final push to the door of my heart might not even register in someone else’s mind.  But that is beside the point.  The point is not ever what registers to someone else.  I am not someone else.  My skin is not thick.  My heart is soft and resides on my sleeve.  I listen and feel…a lot.  And one of the things about having anxiety is that it’s easier to close the door on my heart when things get to be too much.  

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One place where I go to feel immense peace, is the woods.  I am drawn to the narrow trails that wind between the ‘pine trees that start half way up’.  Also known as Lodgepole pines. The kind of trail that looks like a tunnel.  Often I reach out and touch one or both of the trees as I pass through.  This morning on my hike, I walked in between two beautiful pine trees whose branches and soft needles caressed my arms as I passed by.  I felt a bit like a car going through a car wash, being brushed clean.  I notice a lot on my hikes, but one thing that never ceases to grab my attention is when a tree tips or leans over in to another tree, forming an entryway.

 Sometimes, I leave the trail with the sole purpose of walking through it.   A tunnel.  An entryway.  Also known as a passage, a portal, an opening.  Opening.  I wonder if the reason I find so much peace in the woods, is because there is a literal meaning to the entryways that I pass through as I hike.  Paying attention to places that I can pass through, places of beauty that register deep in my soul, actually release the grip of anxiety and allow me to open.  The trails and tunnels open me to sights and smells and touches of nature, with each pass through I enter a new space.  A new section of the trail, or a new spot off of the trail.  With each entryway, a new room full of beauty to be noticed.  The woods to me feel like a castle from my childhood imagination, full of rooms, each room full of treasures.  Beautiful treasures that sparkle and shine, treasures that are warm and safe, treasures that are colorful and vibrant.  Each entryway leading to a new place to explore.  New sights, and sounds, and smells await.

 When I am walking the trail, I notice a lot.  Mushrooms, trees, frogs, butterflies, flowers-and that is just one room, then I notice an opening, an entryway.  I walk through.  And then I notice more.  A scent like honey, a cardinal, the sound of  racing squirrel through the undergrowth.  I pass through the opening, and I explore the beauty.  On the trail, none of the entryways have a door and they are always open.  On the trail, open.  Open.  One of the things about having anxiety is that it’s easier to close the door on my heart when things get to be too much.

 Exploring beauty softens me, soothes me, and opens me.  It releases the grip of anxiety that often squeezes my heart shut, making it so much harder to walk through the entryways offering me their treasures.  One place where I go to feel immense peace, is the woods because the trail is full of entryways to beauty, open for me to explore.
 

Anna Bonnema
A Wreath for All Seasons
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Stuck in a rut and looking for a new challenge, Katie Smyth and Terri Chandler left their jobs to start a flower business together.  The result of their collaboration was WORM London which now sees them design flowers for weddings, supper clubs and parties as well as working as floral stylists for magazines, books and TV shoots.

With stunning photography from Kristin Peters, Katie and Terri’s book Wreaths (published by Quadrille, £14.99) brings together 20 beautiful floral designs which can be created at home with a little insider knowledge and tutelage.  As a lover of all things floral or foraged, for me Wreaths brought together the joys of foraging with a long held desire to learn how to create floral pieces at home beyond a few stems in a cherished vase. 

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‘There is nothing better than seeing the first daffodils of spring; lush, giant, peonies in early summer; the beautiful orange leaves on beech branches in autumn and lichen-covered twigs in winter.  No matter what the time of year, fresh flowers and foliage can be used to creating something special.’

From making a basic wreath shape from a vine to summer chandeliers and stunning meadow balls, Katie and Terri bring a modern approach to floral statement pieces.  Not only are the creations in the book glorious to look out but the practical instructions are step by step and easy to follow, offering the beginner a good place to start.  With just a small handful of tools and tips, you’ll be able to create your own floral artworks with no previous experience required.  There are tricks abound too from how to keep fresh flowers looking lovely for as long as possible to encouraging others to open a little faster so that your finished creation looks full and rich with colour or blossom.  The all-important premise seems to be about encouraging others to capture something special whatever the season and celebrate nature’s beauty.

‘It is incredible what a morning spent in nature can do not only for your sense of wellbeing but also for your appreciation of the natural world.’

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This isn’t a book that focuses on traditional floristry.  It’s more about being inspired by the blooms and branches around us and finding those which inspire us to make.  It’s about producing something personal to you.  As someone who never seems to be able to go on a walk without bringing something home, this really appealed to my inner magpie.  Whether you are looking to create a centrepiece that’s fresh, foraged or dried or perhaps a wreath or rustic floral wall hanging or maybe even a geometric wall shape, this gem of a book has so many beautiful ideas to help awaken your inner florist and encourage a little more of the natural world into our homes to be admired. 

For more inspiration, follow Katie and Terri on Instagram @wormlondon

Creative in the Countryside: Black Barn Farm
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Today we hear from Jade and Charlie at Black Barn Farm, a place where fair food, farming and business collide to create something truly unique; prepare to be inspired.

 

Nicola: I’d love for you to start by telling us more about Black Barn Farm, who you are and what it is you do?

Jade: Our farming communities are decaying, threatening our nation’s food security. We have lower seed and soil biodiversity, higher suicide rates among farmers, longer paths to market, lower profits to growers, obesity/health issues, higher levels of food waste yet higher levels of food scarcity, and more disconnection from our food and to our rural communities than ever before. Yet we ALL eat and have the ability to consider food choices and how they impact our health, farmers and rural communities. By farming in a regenerative way we can have the most impact of all on the health of our soil, community and selves.

Both Charlie (my husband) and I were fortunate to enjoy country childhoods. We both grew up on small farms with parents who revelled in producing their own food. 

I was especially fortunate to live in a very rich fertile part of our State where both Winters and Summers are relatively mild. My parents grew virtually all their own food, used permaculture principles as their guide and bartered for things we couldn’t make or grow ourselves. They strived for intentional simplicity and while it made us feel like the ‘weird hippy kids’ it sowed deep seeds and  I yearned to have my hands in the dirt even in my teens. 

When Charlie and I planted our first real veggie garden, we watched as the small scale apple and pear growers bulldozed their three/four/five-generation apple farming heritage into the ground because there was no one to take over the farms, and no one wanted to buy the land with trees on it. This broke our heart and made us want to reinstate the growing practices in our own area. 

We spent ten years researching small scale farm models which incorporated direct paths to market, opportunities to connect with our eaters and were diverse enough to minimise the vagaries of mother nature. Those ten years allowed us to search for the right property and save enough money to buy it. We have been on our 20 acre property in Stanley, Black Barn Farm, for two and a half years and in that time have begun our educational workshop programme with open days, grafting days, community lunches, and educational lectures with schools and universities.

We have undertaken our irrigation infrastructure  and soil regeneration programme both of which are key to allowing us to plant the 1500, mixed variety, orchard trees  - grafted on site over the past two Septembers as well as the 2kms worth of cane berries, which are all lined up for planting this Winter.

Our plan is to open the orchard in January 2020 as a pick-your-own orchard which offers 6 months of harvest and workshops/events to really engage people with the excitement and delight of growing your own food. We want to bring celebration back into people's association with food and reignite their love for it. Unless you love something, you will not fight for it and unless you understand it, you cannot value it, and if you don’t value it you willingly waste it.

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Our business has six diverse aims: 

EAT - cafe on site all supplied from the kitchen garden

LEARN - 12 annual workshops and open days

STAY -  on-farm accommodation 

GROW - nursery selling all varieties that we have in our pick your own orchard including the understory plantings (due to open in August)

PICK - pick-your-own seasonal fruit and vegetables available from late Nov - late May every year. (due to open in Jan 2020)

CONSULT  -  the banner under which we both undertake an enormous amount of community connection and education. 

We now share this story all over Australia so other community food enterprises can be inspired to have a go at creating their own community which values food.

We’ve also launched ‘co-op living’ – 12 events annually, teaching people to reconnect to their food and to each other.  We have movie screenings, community pot luck dinners, morning tea gatherings and workshops in things such as fermentation, grafting, compost creation, sourdough making and seed saving.

We have driven the collaboration of 14 government agencies to come together to create a local food strategy in our region.

And finally last year we launched "Greener Grass Camps", which is a school camp programme which connects kids to their food in a really fun, interactive, hands on way.

 

Nicola: Can you tell me about the Black Barn Farm Orchard philosophy and why it is so important to you?

Jade: We feel strongly that food is a sacred, celebrated wonder, not a low cost, easily wasted commodity. Because of this philosophy, we are determined to create a space which people are drawn to for connection, learning, belonging and respect for the people and place. Our Black Barn will be the physical building which connects people to place and place to food production.

From a food growing perspective, we believe healthy, nutrient dense food comes from trees and plants which are grown in super healthy soil and this takes time, biomass, biodiversity and carefully managed disturbance to the ground.

We are a permaculture based horticulture operation which emulates patterns in nature to holistically and sustainably integrates the physical and social needs of people and the ecosystem.

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We use permaculture principles in all our growing which means we don't use synthetic chemicals ever, rather we use compost, mulch, worm juice and home made teas to encourage good microbial rich biodiverse soils which support healthy plant growth. We mimic the natural growing system wherever we can with lots of woodsy under-material, inter-plantings and never over-plant which allows the plants to breath and minimise fungus growth. We have a very diverse orchard and vegetable garden which minimises pest management and although its not a problem yet, we anticipate we will need to net our berries to protect against birds.

 

Nicola: I'd love to hear more about the nursery and your future plans?

Jade: Each year we have grafted and taken cuttings (and will continue to do so) for 600 mixed species trees (peaches, pears, cherries, persimmons, figs, currants, apples and crabbe apples). We have also grown 1000 understory plants each year (marjoram, coriander, garlic, tagasaste, marigold,  chilves, Cow-pea, Clover, Siberian Pea-shrub, Amarynth, Zinnia, Comfrey, Borage. These are for the orchard rows and mimic the natural eco-system but provide a diversity of attributes such as nitrogen for the soil, natural growing or decomposing mulch, insect attraction for pollination support.

We deliver a workshop around this (which has sold out within days for three years running so we will continue this until demand fades) and then we plant into our nursery area for 12 months. Because many of the varieties we are growing are hard to find heritage varieties, they are much sought after and because our growing practices are ethical, we have found there is a strong growing market to support this.

 

Nicola: I’d love to hear more about the workshops and events that you run?  Can you tell me more about whom they are for and what it is you wish to teach others?

Jade: The audience is very dependent on the particular workshop. But to generalise, those who are attracted to Black Barn Farm are those with a deep yearning desire to connect to other like minded, simple living folk. They are seeking skills to mimic our production approach, they are looking for ideas to build their own community, they are looking for support to grow their own food. 

In the coming 6 months we are offering a wider range of events including:

  • Introduction to Permaculture (in conjunction with a permaculture education expert)
  • Mid Winter Wassail Ceremony (invited guests)
  • Mid Winter Orchard planting (invited only)
  • Mid Winter Heritage Tree Sale and orchard tour

We love our events because it gives life to what can otherwise be a little lonely and isolating existence on the farm. Sharing our journey and our knowledge is something we both reap a great deal of satisfaction from. 

 

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Nicola: Your work and life is obviously inspired by nature.  Can you tell me why nature is so important to you, and how it influences the work you do? 

Jade: Biofilia is a concept which is integral in each and every one of us, however I have a very high need for connection to the outside, natural world. I was fortunate to spend vast blocks of time as a child literally living in the elements. My dad was an artist and we spent a great deal of time on camp with him while he painted or locked outside the house during the day while he painted in the Studio. We also grew all our own food so our deep rhythmic understanding of the seasons, the influence of weather, the connection to the cyclical nature of each year was bedded down very early and both my brother and I have continued this pattern of living with our children now entrenched in annual growing, preparing/readying, eating, storing, valuing the food we grow as a direct descendant from the type of weather we have experienced that season. 

Our way of life is simple, predominantly outdoors and extends from the boundaries of our farm to the roadsides where foraged foods are found, the nearby bushland where we wander for bushwalks, the also nearby pine forests where we hunt for mushrooms, the not too far away mountains where we escape to on especially warm days, the abundant rivers we swim in weekly , our own dam which we frequent every day while its warm, the haybales we scramble on, the bird book which each of us reaches for even if we know the name of the bird we just spotted, the wood we grow and cut for our warmth,  the hay we grow to feed the stock and the remaining straw we use to mulch our vegetable beds. 

Our year here is very much defined but the distinct seasons, and our daily patterns are endlessly evolving so there is rarely time for any day to become mundane.

 

Charlie: Nature is the most important thing in everyone's life, it's just that most don't realise or appreciate it. Irrespective of who we are, the level of importance nature has for each of us is a matter of fact not personal interpretation. Nature provides the means for each of us to exist, it literally provides the air we breath, the water we drink, the food we eat and regulates the atmosphere we are dependent on. Modern society has been able to obscure this fact to our increasingly urban population, however each person sitting in an apartment is still reliant on each of those ecosystem services to deliver the means required for their existence, even if the urbanite can't see, smell, hear or taste the very ecosystem or piece of nature that provides those essential services.

Nature is the largest influencer of our work at Black Barn Farm,  we seek to understand the pattern of relationships that exists in a natural forest so we can design a similar package of processes and patterns within our orchard system.

 

Nicola: And lastly, if someone reading your story were inspired to follow their own creative dream, what advice would you give them?

Jade: Start where you are, with what you've got and be willing to make mistakes - some of your most magnificent discoveries will be through adversity, trial and error. Further to this, don’t be afraid to follow your instinct...even if it differs from what your spoken ‘goal’ is.

We have had a very clear long term plan for more than 20 years and while the path has meandered here and there as I’ve followed my instinct, made mistakes and been surprised by outcomes, it has never wavered from the end goal which we are lucky enough to be united on.

In response to what your community needs: collaborative efforts are incredibly powerful and from little things big things grow, so do your research and just start!  Sow that seed and watch it grow.

Also, you can only move as fast as the community you are working within, so be sure to really understand their "WHY" so you can speak to it and bring more people on the journey with you.

You can find Black Barn Farm on their website or follow progress on Instagram.

 

CreativityNicola Judkins